Who Moved My Xanax?

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Who Moved My Xanax? by James Howard Kunstler

The moral panic of “the Resistance” is back in DefCon 1 mode overnight just as the righteousness orgasm of the Golden Globe Awards was wearing off. Mr. Trump’s casual question to a couple of Senators vis-à-vis immigration policy — “Why do we want all these people from ‘shithole countries’ coming here?” — pushed the “racism” button at Resistance Central and CNN staged yet another of the orchestrated anxiety attacks it has perfected over the past year.

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The spotlight in this three-ring circus of perpetual offense, indignation, and alarm shifts back from the alleged sufferings of movie actresses to another intersectional victim group from the Dem/Prog pantheon of oppressed minorities: would-be immigrants-of-color. The President’s vulgar animus proves the charge that at least half the country is a lynch mob.

Of course, the most interesting feature of this neurotic zeitgeist is the displacement dynamic among the political Left as its frantic virtue-signaling attempts to distract everybody else in the room from its own dark and shameful emotions about the composition of American culture. As a born-and-bred Boomer (ex-)liberal from Manhattan’s Upper East Side, I can assure you from direct experience that this group has, at best, ambiguous feelings about the lower orders of mankind— my Gawd, did he actually say that? — and, at worst, a certain unmanageable contempt that stirs deep fears of moral failure.

Mr. Trump’s remark raises another interesting question that has not received much analysis amidst the latest panic: namely, how much of a “shithole” is our own country these days? I would avouch, contrary to the limp narrative of boom times, that the USA is visibly whirling around the drain in just about every way that matters. Except for the centers of financialization — New York, Washington, San Francisco — most of our cities are hollowed-out wrecks, and visitors to San Francisco will tell you that the place is literally a shithole, from the army of homeless people who, by definition, have no bathrooms.

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James Howard Kunstler

James Howard Kunstler says he wrote The Geography of Nowhere, “Because I believe a lot of people share my feelings about the tragic landscape of highway strips, parking lots, housing tracts, mega-malls, junked cities, and ravaged countryside that makes up the everyday environment where most Americans live and work.” Home From Nowhere was a continuation of that discussion with an emphasis on the remedies. A portion of it appeared as the cover story in the September 1996 Atlantic Monthly. His next book in the series, The City in Mind: Notes on the Urban Condition, published by Simon & Schuster / Free Press, is a look a wide-ranging look at cities here and abroad, an inquiry into what makes them great (or miserable), and in particular what America is going to do with it’s mutilated cities.