The End of White Celebrity

The End of White Celebrity by Gregory Hood – UNZ Review

TDC Note – Part of the problem that liberal lunatics are bringing to the world.


For the mainstream media, it was a bona fide crisis. Blake Shelton, a European-American country singer and a host of The Voice, whom I had never heard of until yesterday morning,was named People Magazine’s “Sexiest Man In The World.” The result was outrage. Marlow Stern at the Daily Beast declared grandly that “people” are in a “justifiable uproar given Mr. Shelton’s history of homophobic and racist comments.” “Many on social media are blasting the magazine’s decision, calling upon Mr. Shelton’s past tweets that have been labeled as racist, misogynistic and homophobic,” sniffed Fox News. “Some are disheartened by Mr. Shelton’s history of making jokes at the expense of gays, lesbians, women and minorities,” wrote Libby Hill at the Los Angeles Times, in one of the more restrained reactions.

The decision by journalists to broadcast random leftists complaining about the decision of a supermarket tabloid is idiotic, but not surprising. Isn’t People telling us who’s sexy; not who’s slavishly conformist? But what was truly remarkable was how criticism of Mr. Shleton focused on his race. Gabriel Bell at Salon called it a “problematic pick” because it was a “reinforcement and celebration of sometimes-toxic cisgender male sexuality, the elevation of an underwhelming white man to a position of popular acclaim, the ignoring of people of color” and various other perceived sins. Fast Company echoed the complaints of many others when it wrote that Mr. Shelton was an “uninspired choice” because “in its 32-year history, the list has largely been dominated by white men.” Vox, being Vox, also complained about Mr. Shelton being white and his supposed support for Donald Trump.

Blake Shelton (Credit Image: © Kristin Callahan/Ace Pictures via ZUMA Press)
Blake Shelton (Credit Image:
© Kristin Callahan/Ace Pictures via ZUMA Press)

Like many other outlets, Vox wanted to know why Idris Elba, last seen starring in the monumental bomb, The Dark Tower, was not given the title. (The same kind of article crops up every few years when Mr. Elba fails to become the new affirmative-action James Bond.)

Such a bizarre campaign wouldn’t be worth much notice except it coincides with yet another attempt to shame Taylor Swift for not joining the #Resistance against President Trump. Marie Claire is condemning Miss Swift for not making her last album about politics and remaining silent about the presidential election. Miss Swift is also accused of being “racist” because she doesn’t spend all her time protesting against people on the internet who make memes of her as a fascist. She does take legal action in order to get them to stop claiming she’s a fascist—but then she is accused of violating free speech. The only thing she could do, it seems, is follow Katy Perry down the hole into madness by endlessly talking about feminism and white privilege.

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For decades I have spent a couple of hours every morning carefully reading The New York Times, The Wall Street Journal, and several other major newspapers. But although such a detailed study of the American mainstream media is a necessary condition for remaining informed about our world, it is not sufficient. With the rise of the Internet and the alternative media, every thinking individual has increasingly recognized that there exist enormous lacunae in what our media tells us and disturbing patterns in what is regularly ignored or concealed. In April 2013 I published “Our American Pravda,” a major article highlighting some of the most disturbing omissions of our national media in issues of the greatest national importance. The considerable attention it attracted from The Atlantic, Forbes, and a New York Times economics columnist demonstrated that the mainstream journalists themselves were often all too aware of these problems, but perhaps found them too difficult to address within the confining structure of large media organizations. This reinforced my belief in the reality of the serious condition I had diagnosed.